“For many years now, I have found old family photos, from my family, as well as found photos, to be poignant and moving source material for a body of paintings I call ‘Garland of Hours’” says Gage Opdenbrouw. “The paintings are often torn apart and rebuilt, destroyed, and reconstructed again and again, in the course, of their development—a process analogous to both the passing of time and our experience of memory.”